Nashua, NH – Schoolhouse Cemetery Orb

Schoolhouse cemetery photo, Nashua, NH

Schoolhouse Cemetery, Nashua, NH
31 October 1999, about 8 p.m.

Fiona’s comments: After my camera refused to work on Halloween night at Blood Cemetery in Hollis, I visited Schoolhouse Cemetery in Nashua, NH, to prove to myself that there was nothing wrong with my camera or the film.

Schoolhouse Cemetery never felt very haunted. I’ve heard no local tales about it. Frankly, it’s on busy Daniel Webster highway, across the street from Bickford’s, with a large apartment complex in back of it.

Generally, I stay out of it to because I’m concerned about the living, not the dead who might be there. The cemetery has no light in it at all. The deeper you go into it, the creepier it gets. But I can’t say that it’s a really “haunted” feeling–just creepy.

On Halloween night, the highway was nearly deserted. I knew I could take photos at the entrance to the cemetery, without risking intrusion, flares, or reflections from apartment or shopping center lights. As you can see, it was very dark that night.

The orb surprised me when I picked up my prints. When I show my “ghost photos” and negatives, this is the one that impresses most professional photographers.

Schoolhouse Cemetery - no orbAt right is the second photo I’d taken. (It’s my habit to take two photos in a row, as quickly as possible, without moving or even breathing between the pictures.)

As usual, these two photos were taken within seconds of each other from the same location.

The schoolhouse is boarded up. There are many headstones in the cemetery, but only one shows in the photo.

Camera: Olympus AF-1, point-and-shoot
Film type: Kodak Gold ASA 800 color film, 35mm
Negative shows: Same image. No splash of chemicals, no marks on the negative.
Developed and printed by: Shaw’s Supermarket overnight photo service

Portsmouth, NH – Real Ghosts, private home

A TRUE GHOST STORY

It was too easy. In the early 1990s, I placed a notice on a bulletin board, looking for a “nothing down” house to buy near Portsmouth, NH. Several people called within the week, but one house seemed almost perfect: a house within walking distance of downtown Portsmouth.

The owner was eager to leave. Perhaps too eager, but I believed her when she said that her reduced salary (since being disabled) left her unable to pay the mortgage on both an in-town house and her summer home. Also, the two-story in-town house seemed too large since her divorce.

The house was near downtown, in an area that was either on its way up, or continuing to descend into… well, the kind of neighborhood I wouldn’t raise my three children in. Betting on the former, we decided to take a chance. We had nothing to lose, since we were renting on a trial basis first.

The owner was out of the house within three days, and we moved in. I remember how gleefully she laughed as she drove away. It seemed odd, but I thought maybe it was just her relief, since she’d finally rented the house.

The house needed work. Right away, we covered the black, half-finished floor in the kitchen with a white-and-gray vinyl flooring, and painted the yellowing walls and cabinets shiny white. It looked brighter then, but not quite right.

In fact, for the next year we continued to paint, remodel, redecorate and upgrade the old house, but it remained unwelcoming. It wasn’t anything specific, just the feeling that no matter what we did, the house would always need something that paint and wallpaper couldn’t fix.

Maybe the angles weren’t quite straight at the corners. Maybe the floor wasn’t quite level. I should have measured these things, but instead kept redecorating, trying to solve the problem. I had the idea that a vase of flowers here, and a fresh coat of paint there, or a new throw rug, would finally lend a sense of ease to the house. But nothing seemed to make this house a “home” for us.

Still, we continued on a “rent to own” basis, planning to take over the mortgage as soon as we accumulated the down payment.

There were odd noises during the afternoon and towards dusk, like footsteps on the second floor when no one was there. The faucets, particularly in the upstairs bathroom, would turn themselves on. I said to myself, “Older houses have these quirks, especially when temperatures drop in the evening. It’s okay.”

One night, I stopped making “logical” excuses:

It was about four in the afternoon, and the sun had not set yet. It had been a sunny day, and I was in a cheerful mood as I prepared dinner at the stove. It was a jambalaya dish, all made in one skillet. I was sauteeing the onion and sausage when I left the spatula in the skillet, and stepped across the room to get rice out of the cabinet.

I picked up the pink-trimmed Tupperware container of rice, and turned around just in time to see the spatula make a mid-air twirl as it flew across the room and landed on the floor at the opposite wall.

Always choosing the rational explanation first, I decided that a slice of sausage must have cooked in just the right way to release a burst of air and propel the spatula. And to prove it to myself, I washed the spatula and put it back where I’d left it, and then hit the handle with my fist to deliberately send the spatula into the air.

It rose about two inches and then fell on top of the stove, next to the skillet.

I repeated my experiment about fifteen times, trying to find a way to replicate what I’d seen when I’d picked up the rice. Different angles. Different ways of hitting it. Nothing worked.

Still dismissing the obvious poltergeist answer, I continued cooking. Once again, I stepped away from the stove for more ingredients, and again, the spatula was airborne. This time it landed about five feet from the stove.

I resumed my experiments to make the same thing happen, but couldn’t figure how to do it. Nothing seemed to work.

I continued cooking, feeling very uneasy. The rest of the meal was without incident, but I told my (mechanical engineer) husband about the flying spatula, and he said there was no logical–or scientific–way it could happen.

He wanted to believe me, but my story didn’t make sense.

I thought about this, and decided not to make anything of it.

Next, in part two: The ghost makes an appearance

Portsmouth, NH – Portrait of a Real Ghost

Ghostly man in wondow of Portsmouth house.

Portsmouth house, Portsmouth, NH
October 1999, about 11 a.m.

This photo was taken outside a Portsmouth private residence. While living in that house, I saw two ghosts and experienced considerable poltergeist phenomena. I took several photos of the house in late October 1999, to illustrate my pages about this very haunted house.

When I had this film printed and examined the photos, I kept returning to the photo shown above. Something about it didn’t seem “right.” My attention was drawn to what seemed to be window reflections of the old lilac bush in front of the house.

The following day, I decided to enhance the image with my computer, simply making it larger so I could determine what was bothering me about the picture. That enlargement appears below:

pnh-winman

Either this photo looks like a man looking to the right, with longish hair and 19th-century dark sunglasses, or it looks like a reflection of lilac leaves. Nobody seems undecided about this photo!

If you’d seen the male ghost in that house, you’d recognize the window reflection right away: That’s our ghost. He has a broken-looking nose, a scar under his right cheekbone, and his hair is thinning on top.

My sketch from memory, and from the photo.

In spectral appearance, he was about 5’5″ tall and stocky. He looked like a hastily-groomed, slightly British version of Buffalo Bill… sort of.

Among people I know in modern times, our ghost reminded me of folk singer Jaime Brockett.

When our ghost wasn’t wearing sunglasses, he had average no-particular-color eyes, somewhat tanned skin, and slightly sun-bleached brown hair. He favored brown clothing, usually wore a suit, rarely buttoned his jacket, and he always seemed in a hurry to go nowhere. When I took this photo, I had the sense that someone was at the window, but I didn’t notice the man’s face.

It seemed reasonable that the current residents of the house might have been peering out at the strange woman taking photos of their house. I don’t put any significance on my discomfort at the time.

Read about our experiences in Portsmouth – real ghosts, private home

Camera: Olympus AF-1, point-and-shoot
Film type: Kodak ASA 400 b&w film, 35mm
Negative shows: Same image. Nothing unusual.
Developed and printed by: Shaw’s Supermarket overnight photo service

Bradford College, MA, Ghosts – 4. Haunted Tunnels

Bradford College, Bradford, Massachusetts – 11 March 2000

HAUNTED TUNNELS BENEATH BRADFORD COLLEGE

Our next stop was in the tunnels, which connect several of the main buildings. I think we entered them from the Campus Center, but I don’t know the buildings, and I was still musing over the odd room we’d been in, on the Academy’s fourth floor.

(The Campus Center may have been haunted, probably by something playful, but there were students in the area. A full investigation was impossible.)

As we reached the basement level, I sensed one of those silly green ghosts, like the Slimer from the Ghostbusters movies. The atmosphere was light and playful, and fun.

However, the tunnels–one more level down–were dark and eerie. In one of them, I “saw” a girl running in the darkness, and I sensed that she was afraid of rape. I felt nauseous.

Afterwards, James said that he’d been hit in the gut by the energy in the tunnel, too. He’s generally a skeptic who experiences very little on ghost hunts.

(See my photos at Bradford College – Tunnel Orbs.)

While in the tunnel, we met a couple of people. One of them was a young man who later made a documentary about the Bradford ghost stories before the school closed its doors forever. (Bradford College’s accreditation lapsed, and filed bankruptcy.)

This was our first of two visits to the tunnels that day.

OTHER TUNNELS

Bradford College’s tunnels are famous for their connection to the H.P. Lovecraft stories of the Necronomicon. Although Lovecraft’s book is reportedly fiction, there has been speculation about a real Necronomicon. Lovecraft did have a connection to Bradford College.

According to college lore, Lovecraft was dating a girl from the college, and she helped him find an unused tunnel (beneath Tupelo Pond) in which to bury the evil book called “the Necronomicon.”

Later, that tunnel was sealed off from the maze of tunnels beneath Bradford College.

NEXT STOP: DENWORTH HALL AND THEATRE

We continued to Denworth Theatre, where I was certain we’d find almost no energy beyond normal poltergeist phenomena.

I was about 98% sure that the ghostly girl reported there was just legend, started when someone incorrectly repeated the “Amy and the priest” stories, and placed her in the theatre, not the Academy.

I anticipated a quick visit to the theatre, with little activity. I was anxious to visit Tupelo West, where the pendulum had indicated the most hauntings.

I was very, very mistaken, and I hope I never underestimate a “ghost story” again.

Read that story next: Real Ghosts in Denworth Hall

Canada’s Poltergeists – The Great Amherst Mystery

Canada's Poltergeists - The Great Amherst Mystery

Yes, Canada has poltergeists.

The Great Amherst Mystery has puzzled ghost hunters and paranormal investigators for over a century.  It’s the true story of one of the world’s best-documented poltergeists.

In September 1878, Mr. Daniel Teed and his wife, Olive Cox Teed, lived on Princess Street in Amherst, Nova Scotia. Their household included Mrs. Teed’s niece, 19-year-old Esther Cox. Miss Cox soon became famous as part of “The Great Amherst Mystery.”

Before the ghostly manifestations began, Miss Cox had been the victim of an attempted rape in a secluded part of Amherst. Her attacker, Bob MacNeal, was a shoemaker with a terrible reputation that Miss Cox had not known about. She escaped the attack with minor injuries. The “mysteries” started soon after this event.

The hauntings began with small poltergeist phenomena: little fires, voices, and rapping noise. It soon escalated to include times when Miss Cox would seem to inflate like a balloon, even to her extremities, and then abruptly return to normal size. These events were witnessed by a large number of people.

The Poltergeists Follow Miss Cox to Church

The hauntings followed Miss Cox outside the house. Once, the knocking and rapping noises interrupted a Baptist Church service that Miss Cox attended. Although she sat towards the back of the church, it sounded as though someone was hammering on the front pew, making it impossible to hear the service. Miss Cox left the church in humiliation, and the noises stopped immediately.

Desperate to find the source of the problem, Miss Cox tried automatic writing and consulted spiritualists. The primary ghost claimed, in automatic writing, to be Miss Maggie Fisher. Miss Fisher had attended the same school as Miss Cox, but had died around 1867, before graduating. Miss Cox had not known Miss Fisher, but was aware that they’d been in school together.

More Ghosts – and Poltergeists – Appear

Other ghosts came forward during this time, announcing themselves as: Bob Nickle, age 60, also a shoemaker like Bob MacNeal who’d attacked Miss Cox. Another was Mary Fisher, sister of Maggie Fisher. Other ghosts included Peter Teed, John Nickle, and Eliza MacNeal. The number of ghosts and “coincidences” among names and professions reduces the credibility of this part of the story.

Further, Bob MacNeal, Miss Cox’s attacker, later claimed that he’d been haunted for years by the same Bob Nickle. The accounts sound as though Mr. MacNeal was trying to shift the blame for his violent acts, to the ghost.

Nevertheless, Miss Cox continued to be plagued with hauntings wherever she went.

When Life Gives You Lemons…

Hoping to turn her misfortunes to her advantage, Miss Cox went on tour in June 1879, hoping to draw audiences to hear her story and make a living from the income. She was assisted in this by actor Walter Hubbell, who’d visited Amherst specifically to witness the now-famous ghostly manifestations.

However, the crowds were skeptical and easily angered. One evening in a theatre, a rival theatre-owner leaped to his feet and began heckling Miss Cox and Mr. Hubbell. The crowd joined in, and soon a riot broke out. This was Miss Cox’s last time on stage, as her touring efforts were a clear failure.

The series of manifestations continued until one dramatic event changed everything.

The Poltergeist Sends Miss Cox to Prison

Miss Cox went to work for Arthur Davison of Amherst. Mr. Davison was a skeptic, although he admitted to witnessing numerous poltergeist events at his home when Miss Cox was there. The worst was when the ghost(s) set fire to his barn and it burned to the ground.

Mr. Davison accused Miss Cox of arson, and she was convicted of the crime by an ambivalent court. Her sentence was four months in prison, but public support for the unfortunate woman led to her release after only one month.

It was as if the spell had been broken.

After that, Miss Cox was troubled by minor poltergeist events, but nothing significant.

Happily Ever After?

Miss Cox later married Mr. Adams of Springdale, Nova Scotia. Her second husband was Mr. Shanahan of Brockton, MA.

Esther Cox Shanahan died in 1912.

After her death, Walter Hubbell published a “The Great Amherst Mystery: A True Narrative of the Supernatural” and included a 1908 affadavit that was signed by 16 Amherst witnesses to the hauntings.

(Sources: Snow, Strange Tales…, p. 62; plus my own research)

This article originally appeared in 2001 at Suite 101 as The Great Amherst Mystery, written by Fiona Broome.

Columbus, Texas – Ghostly Ectoplasm?

Could this be ectoplasm?

Ectoplasm? I’m not sure what caused the odd misty areas in the unretouched photo at left. (And, to be honest, I’m not sure anyone knows what ectoplasm is.  We usually use the term to mean an expansive area of colorful, translucent energy.)

Look for the whitish, pink, and red areas in the photo.  I have no explanation for any of those anomalies.  They remind me of the colorful orb-ish shapes in the anomalies at New Orleans’ Jackson Square.

The photo was taken with a tripod and a delayed shutter. I stood to the side of the camera. When the flash went off, I could clearly see anything that might have been in front of the camera.

In other words, I didn’t see any bugs to explain these odd, colorful areas.

There was no chance of a camera strap, jewelry, or hair reflecting light on the lens. Also, since I was over five feet away when the photo was taken, it’s not breath.

I took over 200 photos in this cemetery, and none of them show insects. As usual, I’d looked for bugs before taking any photos. I saw none except the mounds indicating fire ants. (I was in sandals and kept my distance.)

The Columbus City Cemetery — also called Old City Cemetery — is on Walnut Street in Columbus, Texas, not far from the middle of town. In 1870, it was deeded to the city as an existing cemetery.

No one is certain how old the graves are, but the earliest headstone is dated 1853.

This wasn’t the first time I’d seen non-orb anomalies in Columbus photos. I’d seen possible ecto in a photo taken during a “Live Oaks and Dead Folks” tour, a popular annual event in Columbus, Texas.

This is an especially interesting cemetery. Many of the grave markers were washed away in a flood at the end of 1913. Disturbed graves could explain the recurring fog-like mist or ectoplasm in photos. There are at least 500 unmarked graves there.

This cemetery also contains the grave of Jonathan W. Sargent (1877 – 1929), who was killed in a car accident near Columbus. He’d assisted Howard Carter in Egypt, and may have been a victim of the famous “curse” of King Tutankhamen’s tomb.

In addition, the cemetery was the final resting place of many Confederate soldiers, as well as victims of the 1873 yellow fever epidemic.

Any one of these could account for higher-than-average paranormal activity in this lovely cemetery.

I recommend this cemetery for ghost enthusiasts, but only during daytime hours. After dark, uneven ground and the possibility of snakes make investigations treacherous.

The cemetery is patrolled regularly by police, who visited while I was there. Day and night, they can see activity in the cemetery from at least three nearby roads, so don’t expect to escape notice when you’re in the cemetery.

Since Columbus Cemetery’s orbs can be photographed in daylight, an early morning or late afternoon visit could be worthwhile.